Excerpt from SEAL/WOMAN (“The Winter,” “Summer,” “Men were everywhere”) in Guttural (Canterbury, England), Issue 3, February 2019
“The Moon Appears Upon the Stage” and “Glass Tongued Snake” in Datableed (Canterbury, England), Issue 11, February 2019
“From Bush to Brontë and Back Again: The Most Wuthering Heights Day Ever” in Yes Femmes (Los Angeles, CA), Issue 2, June 2018
“Chanting at the Crystal Salton Sea,” “Alice in stitches a vague fugue,” and “The Infinite Woman (Prologue)” in La Vague (San Diego, CA), Issue 9, October 2017
The Infinite Woman, broadside/chapbook designed and printed by Oxeye Press (Madison, WI), June 2017. Edition of 30, numbered and signed.
“Hostage” in Vector Press (Pittsburgh, PA), Issue VI, April 2017
“The Attic” in Word For/Word (Weston, WV), Vol. 28, Fall 2016
“She awoke at once” in Nat. Brut (Dallas, TX), August 2016
“Soliloquy” and “Chicago, 2005” in ÖMËGÄ, Metatron (Montreal, Quebec), December 2015
“Nineteen One Act Plays About Forgetting” and “Images for a Film” in Rabbit Catastrophe Review #9, Rabbit Catastrophe Press (Lexington, KY), February 2015
“Osmium, Tungsten, Dionaea, Lavandula” (performance documentation) in Emergency INDEX Vol. 3 2013, Ugly Duckling Presse (Brooklyn, NY), December 2014
“The landscape cracks and I sink into a nameless current” (video-poem) in Requited Journal #6 (Chicago, IL), January 2012
“Lady in Red: The Performance and Liberation of Desire in Dana Rotberg’s Angel of Fire” (graphic essay/artist’s book) in Digital Salon (Madison, WI), April 2010
