I’m so honored and delighted to share a short essay I wrote for Edge Effects called “The Pleasures of Teaching Plastic.” It theorizes plastic identities, environments, bodies, aesthetics, and materials (like […]
In June I will present a durational, site-specific, participatory performance with Madison Performance Philosophy Collective at the Theatre, Performance, Philosophy conference at the Sorbonne in Paris, France! Our project, entitled “From the U.S. […]
I’m presenting a paper on biological plasticity and performative possibility in Paris this summer, drawing on the work of the philosopher Catherine Malabou and the performance company Curious. Excited! : ) More information […]
MAD THEORY went smashingly – what an exciting inaugural event for Madison Performance Philosophy Collective! Our warmest thanks to our generous sponsors, and to our presenters for sharing their innovative, inspiring, transgressive, gorgeous, […]
MAD THEORY: A Performance Philosophy Symposium Saturday, April 12th, 9:30am – 6:30pm Madison Public Library Central Branch, Room 301 From an audio/noise performance theorizing queer stammers and the glitch to […]
I just received word that my paper proposal, “Biological Plasticity and Performative Possibility,” was accepted for the 2014 Theatre, Performance, Philosophy Conference at the University Paris-Sorbonne! The keynotes include Judith […]
My artist’s book, O, LOVER! O, DEATH! / A Tragic Account of the Life of The Infinite Woman, is part of Laurie Beth Clark‘s Ossuary project, currently installed at Herron School of Art and Design from […]
